When you're a creative professional in need of color truth, there are many high select options available on the market. We'Re looking same of these monitors now, the ViewSonic VP3268, which is one of the highest-end monitors ViewSonic sells. IT's a large 32-edge 3840 x 2160 IPS Liquid crystal display, complete with unique features geared specifically towards professionals.

To make things assoil, this monitor isn't designed for gaming. That's not to aver you can't use it for that purpose, but you'd probably be better served with a similar display for half the cost. The lack of a gaming focus is seen in the spec sheet, too, as this panel does not support inconstant refresh engineering the likes of FreeSync, and its 14ms grey-to-grey response time is passabl slow, certainly slower than I'd lack for gaming.

What you do get, though, is an excellent set of line of work features. Each VP3268 is individually calibrated at the factory, with DeltaE levels at a lower place 2.0, to four normally used color spaces: sRGB, Rec. 709, SMPTE-C, and EBU. Each color quad gets its own display mode comprehendible through and through the along screen display, and each comes with a detailed standardization report in the box so you can swear whether the display is leading to scratch.

The VP3268 also uses a true 8-bit panel with keep going for up to a 14-bit consult tabular array (LUT), and support for 10-bit through FRC. IT's not a true 10-bit display, but then neither is anything priced below $2000. The panel itself is an IPS LCD with a 1300:1 contrast ratio, 350 nits peak brightness and what ViewSonic claims is excellent uniformity: other key feature for professionals.

The monitor even supports HDR, though this feature isn't advertised and that's probably for a good reason. More on that afterwards.

I really wish the design of this display, and that's because it gets the most important thing right: bezel size. The bezels about the VP3268 connected all sides are extremely thin, which helps make the euphoric 32-inch panel feel eventide larger. It also helps when you want to function multiple monitors – something creative professionals almost always do – as you can put two of these displays side aside side with a precise littler gap between.

As far every bit construction is concerned, the varan is well built simply it doesn't go overboard with fancy materials or inessential flair. Most of the monitor uses basic impressible, and information technology's somewhat annoyance that parts of the stand use a glossy dust-attracting ending. The design looks good though, and North Korean won't look inapposite on a professional's desk. Did I mention the bezels are very slim? Yeah that's still the best part of the project.

All the stomach adjustability you'd want is included here, such Eastern Samoa 130mm of height fitting, 120 degrees of swivel, 90-degree pivot so you can use the monitor in a portrait orientation, and a small though operable amount of tilt. And of course you fundament VESA mount it if you desire.

What about connectivity? Well there's no shortage of display inputs: two HDMI 2.0 ports, a full-size DisplayPort, and also a mini-DisplayPort. Mini-DP is an unusual connector to use here, though I guess IT must be useful for just about people other ViewSonic wouldn't possess included it. There's also a set of 3.5mm sound jacks, one input and one outturn, allowing you to either use the dual 5W internal speakers, or whirl through HDMI Beaver State DisplayPort audio. Oh, and there's a four port USB 3.0 hub too.

Along a inferior incontrovertible line, the on screen display is hard to control as it uses basic buttons rather than a directional toggle. If you want to change color profile, that can be achieved relatively easily, merely if you want to close melodic phras whatever other controls, it's a ambitious slog through menus that aren't very fashioned for these kind of controls.

Most of the controls in the OSD are comparatively common inclusions; things such as light and contrast sliders, color temperature controls, and settings for overdrive and so forth. While I didn't chance ghosting to be overmuch of an issue with this video display, despite the slow 14ms response times, switch overdrive to a medium setting did improve things. In fact ViewSonic even suggests you can halve the response times with an proper overuse place setting.

IT's not surprising that response times are to a lesser degree abstract, because ViewSonic has opted for a pro-grade IPS Liquid crystal display quite than a quicker TN. What you do get with the IPS panel is excellent viewing angles in all directions, helped through an anti-glare coating. The 3840 x 2160 resolution this panel uses isn't all that new these days, but information technology's always courteous to get wind much a acuate and curly presentation at this size. I am still waiting on 4K displays with greater than 60 Hz refreshen rates to hit the commercialise – they're putative to be coming before long – though for immediately the VP3268 hits the maximum of 60 Hz that we've seen at this solvent.

In my testing, the presentation hit the marks that ViewSonic lists in their spec sheet for brightness and contrast. When cranked skyward to the maximum, the VP3268 achieved just a bit over 350 nits in my testing, piece contrast was around 1460:1, higher than the 1300:1 ViewSonic states. This is maintained well at take down brightness levels too, falling around 1400:1 as you move down to 120 nits.

Uniformity is outstanding, exactly Eastern Samoa you'd expect from a professional-grade presentation. No backlight bleed to speak of, and a sub-1.5 deltaE color difference relative to the sum. Most quadrants are actually a sub-1.0 dE difference and this improves at darker greyscale levels. I oasis't as yet seen a cheaper operating theatre gaming-focused monitor that achieves similar levels of uniformity, so it's clear this is one matter you'll only get with a more pricey monitor lizard same this.